The Boy at the Keyhole
by Stephen Giles
304 pages
Hanover Square Press; Original edition
Nine-year-old Samuel lives alone in a once-great estate in Surrey with the family’s housekeeper, Ruth. His father is dead and his mother has been abroad for months, purportedly tending to her late husband’s faltering business. She left in a hurry one night while Samuel was sleeping and did not say goodbye.
Beyond her sporadic postcards, Samuel hears nothing from his mother. He misses her dearly and maps her journey in an atlas he finds in her study. Samuel’s life is otherwise regulated by Ruth, who runs the house with an iron fist. Only she and Samuel know how brutally she enforces order.
As rumors in town begin to swirl, Samuel wonders whether something more sinister is afoot. Perhaps his mother did not leave but was murdered—by Ruth.
Artful, haunting and hurtling toward a psychological showdown, The Boy at the Keyhole is an incandescent debut about the precarious dance between truth and perception, and the shocking acts that occur behind closed doors.
“A fiendishly efficient, gorgeously written, nasty little thrill ride of a psychological thriller. I couldn’t put it down, and it’s entirely possible that I’ll never sleep again. A true tour-de-force of a debut novel.”–Lyndsay Faye, author of The Gods of Gotham and Jane Steele
“The Boy at the Keyhole is sinister and tight, amusing and intense, an emotional story of a sweet boy in a precarious psychological place. A fun and wicked read that is impossible to put down!”–Matthew Sullivan, author of Midnight at the Bright Ideas Bookstore
My Rating:
Ruth could do that. Make a decree, like a queen or something, that certain topics had reached their end and that would be that.
Now that he stood on the precipice of this wrongdoing, he felt the fluttering in his chest that made every breath sound as if he were sitting on a rattling train.
The same wine his mother said made his father prone to unsettling fits of national pride and falling asleep midsentence.
Part of the reason Samuel was sent to the local school and not somewhere more distinguished, like his father and uncle had, was because his mother didn’t want him turning out like his uncle Felix, who she said was a pompous buffoon wrapped in tweed, dipped in gin and rolled in horsehair.
Samuel saw the lies easily enough; they practically leached from her skin like poisonous gas. She twisted everything, turning the truth in on itself until it looked like something else.
My Review:
I am in quite a pique over the ending, or lack thereof, so rating this skillfully crafted book puts me in a quandary. The story didn’t seem anywhere near a stopping point, yet it ended. Gah – I am infuriated as I was riveted to my Kindle while reading and hissed in complaint at any interruption. Needless to say, adulting did not happen today, as evidenced by my profane and childish reaction to hitting the last page. Yet, I cannot deny that Stephen Giles is a master storyteller who is extremely gifted with the word voodoo. His writing was mesmerizing and laced with observant details and massive insightfulness into the mind of a child. His characters were compelling and deftly written, I was eager to learn every little nuance I could wring from the narrative. His storylines were tautly written and adroitly textured, I was on edge and keenly interested throughout. I couldn’t settle on a theory and developed and cast off several while reading. The housekeeper was vile and monstrous, harsh on a good day; the mother was absent, irresponsible, and self-absorbed; and the child – oh, he squeezed my heart, I ached for him. But that ending - he really left me hanging, would it have killed him to have kept going just a few more pages? It rankles, but I have to give him his due. Sigh, 5-Stars. This would make an excellent movie.
Empress DJ
About Stephen Giles
Stephen Giles is the Australian author behind the lauded children’s series “Anyone But Ivy Pocket”, penned under the pseudonym Caleb Krisp. The series, published in the US by HarperCollins/Greenwillow and the UK by Bloomsbury, appeared on the New York Times Best Seller List, has been translated into 25 different languages and was optioned by Paramount Pictures.
Prior to selling his first book, Stephen worked in a variety of jobs to supplement his writing including market research, film classification and media monitoring. “The Boy at the Keyhole” is Giles’ first work for adults and the film rights for this book have been acquired by New Regency.
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